INTEGRATED UNIVERSAL PROCESS OF LEARNING
  
| 
 THE 
            HARMONY LAWS 
OF NATURE  | 
			
     | 
		  
 STRUCTURING 
THE PROCESS 
OF THINKING  | 
   30. Intellectual Discrimination and Musical Motif-Space 
    
   universal thinking
   SCIENTIFICALLY STUDYING NATURAL HARMONY  
  STUDY OF THE INTEGRATION OF THE INNER-HUMAN
  COGNITIVE AND CREATIVE FORCES 
  
   Subject of Study 5 
   Scientifically Studying the Coordination of our Consciousness with the Creative
  Ability of Cognition of our Understanding 
   During / by the Integrated Analysis and Synthesis of Tone
  and Sound  
  	
     Seminar Series 
  
  Integrated mechanics of the combination of basic tone and basic sound at the
  transition from the field of knowledge of the musical motif-space to the field
  of knowledge of our understanding 
  
  Integrated mechanics of the overtone spectra of the combination of tone and sound
  at the transition from the field of knowledge of the musical motif-space to the
  field of knowledge of our understanding 
  
  Integrated mechanics of the periodic vibrations of the combination of tone and
  sound at the transition from the field of knowledge of the musical motif-space
  to the field of knowledge of our understanding 
  
  Integrated mechanics of the vibration sequences of the combination of tone and
  sound at the transition from the field of knowledge of the musical motif-space
  to the field of knowledge of our understanding 
  
  Integrated mechanics of the aperiodic vibrations of the combination of tone and
  sound at the transition from the field of knowledge of the musical motif-space
  to the field of knowledge of our understanding 
  
  Integrated mechanics of the attacks of the combination of tone and sound at the
  transition from the field of knowledge of the musical motif-space to the field
  of knowledge of our understanding 
  
  Integrated mechanics of the decays of the combination of tone and sound at the
  transition from the field of knowledge of the musical motif-space to the field
  of knowledge of our understanding 
  
  Integrated overtone mechanics of the combination of tone and sound at the transition
  from the field of knowledge of the musical motif-space to the field of knowledge
  of our understanding 
  
  Integrated mechanics of the combination of the tone with the vowel at the transition
  from the field of knowledge of the musical motif-space to the field of knowledge
  of our understanding 
  
  Integrated mechanics of the combination of the overtone spectrum of the tone
  with the formants at the transition from the field of knowledge of the musical
  motif-space to the field of knowledge of our understanding 
  
  Integrated mechanics of the combination of the tone with the unvoiced consonant
  at the transition from the field of knowledge of the musical motif-space to the
  field of knowledge of our understanding 
  
  Integrated mechanics of the combination of the tone with the voiced consonant
  at the transition from the field of knowledge of the musical motif-space to the
  field of knowledge of our understanding 
  
  Integrated mechanics of the combination of tone and sound at the transition from
  the field of knowledge of the musical motif-space to the field of knowledge of
  our understanding 
  
  Common Eigenfunction of sound and tone at the transition from the field of knowledge
  of the musical motif-space to the field of knowledge of our understanding 
  
  Common Eigenfunction of the voiced consonant and tone at the transition from
  the field of knowledge of the musical motif-space to the field of knowledge of
  our understanding 
  
  Common Eigenfunction of the unvoiced consonant and tone at the transition from
  the field of knowledge of the musical motif-space to the field of knowledge of
  our understanding 
  
  Common Eigenfunction of the formants and the overtone spectrum of the tone at
  the transition from the field of knowledge of the musical motif-space to the
  field of knowledge of our understanding 
  
  Common Eigenfunction of vowel and tone at the transition from the field of knowledge
  of the musical motif-space to the field of knowledge of our understanding 
  
  Common Eigenfunction of the overtone mechanics of sound and tone at the transition
  from the field of knowledge of the musical motif-space to the field of knowledge
  of our understanding 
  
  Common Eigenfunction of the decays of sound and tone at the transition from the
  field of knowledge of the musical motif-space to the field of knowledge of our
  understanding 
  
  Common Eigenfunction of the attacks of sound and tone at the transition from
  the field of knowledge of the musical motif-space to the field of knowledge of
  our understanding 
  
  Common Eigenfunction of the aperiodic vibrations of sound and tone at the transition
  from the field of knowledge of the musical motif-space to the field of knowledge
  of our understanding 
  
  Common Eigenfunction of the vibration sequences of sound and tone at the transition
  from the field of knowledge of the musical motif-space to the field of knowledge
  of our understanding 
  
  Common Eigenfunction of the periodic vibrations of sound and tone at the transition
  from the field of knowledge of the musical motif-space to the field of knowledge
  of our understanding 
  
  Common Eigenfunction of the overtone spectra of sound and tone at the transition
  from the field of knowledge of the musical motif-space to the field of knowledge
  of our understanding 
  
  Common Eigenfunction of the basic sound and basic tone at the transition from
  the field of knowledge of the musical motif-space to the field of knowledge of
  our understanding 
  
   
 
 BASIC LAW OF EDUCATION  · TEACHING THE LAWS OF NATURE