INTEGRATED UNIVERSAL PROCESS OF LEARNING
  
| 
 THE 
            HARMONY LAWS 
OF NATURE  | 
			
     | 
		  
 STRUCTURING 
THE PROCESS 
OF THINKING  | 
   30. Intellectual Discrimination and Musical Motif-Space 
    
   universal thinking
   SCIENTIFICALLY STUDYING NATURAL HARMONY  
  STUDY OF THE INTEGRATION OF THE INNER-HUMAN
  COGNITIVE AND CREATIVE FORCES 
  
   Subject of Study 2 
   Scientifically Studying the Coordination of our Consciousness with the Creative
  Ability of Cognition of our Understanding 
   During / by the Integrated Analysis and Synthesis of Sound
  and Idea  
  	
     Seminar Series 
  
  Integrated mechanics of the combination of basic sound and basic idea at the
  transition from the field of knowledge of the musical motif-space to the field
  of knowledge of our understanding 
  
  Integrated mechanics of the combination of the overtone spectrum of the sound
  with the idea derivation at the transition from the field of knowledge of the
  musical motif-space to the field of knowledge of our understanding 
  
  Integrated mechanics of the combination of the periodic vibration of the sound
  with the periodic idea chain at the transition from the field of knowledge of
  the musical motif-space to the field of knowledge of our understanding 
  
  Integrated mechanics of the combination of the vibration sequence of the sound
  with the idea sequence at the transition from the field of knowledge of the musical
  motif-space to the field of knowledge of our understanding 
  
  Integrated mechanics of the combination of the aperiodic vibration of the sound
  with the aperiodic idea chain at the transition from the field of knowledge of
  the musical motif-space to the field of knowledge of our understanding 
  
  Integrated mechanics of the attacks of the combination of sound and idea at the
  transition from the field of knowledge of the musical motif-space to the field
  of knowledge of our understanding 
  
  Integrated mechanics of the decays of the combination of sound and idea at the
  transition from the field of knowledge of the musical motif-space to the field
  of knowledge of our understanding 
  
  Integrated overtone mechanics of the combination of sound and idea at the transition
  from the field of knowledge of the musical motif-space to the field of knowledge
  of our understanding 
  
  Integrated mechanics of the combination of vowel and idea at the transition from
  the field of knowledge of the musical motif-space to the field of knowledge of
  our understanding 
  
  Integrated mechanics of the combination of formants and idea at the transition
  from the field of knowledge of the musical motif-space to the field of knowledge
  of our understanding 
  
  Integrated mechanics of the combination of unvoiced consonant and idea at the
  transition from the field of knowledge of the musical motif-space to the field
  of knowledge of our understanding 
  
  Integrated mechanics of the combination of voiced consonant and idea at the transition
  from the field of knowledge of the musical motif-space to the field of knowledge
  of our understanding 
  
  Integrated mechanics of the combination of sound and idea at the transition from
  the field of knowledge of the musical motif-space to the field of knowledge of
  our understanding 
  
  Common Eigenfunction of idea and sound at the transition from the field of knowledge
  of the musical motif-space to the field of knowledge of our understanding 
  
  Common Eigenfunction of idea and voiced consonant at the transition from the
  field of knowledge of the musical motif-space to the field of knowledge of our
  understanding 
  
  Common Eigenfunction of idea and unvoiced consonant at the transition from the
  field of knowledge of the musical motif-space to the field of knowledge of our
  understanding 
  
  Common Eigenfunction of the idea and the formants at the transition from the
  field of knowledge of the musical motif-space to the field of knowledge of our
  understanding 
  
  Common Eigenfunction of idea and vowel at the transition from the field of knowledge
  of the musical motif-space to the field of knowledge of our understanding 
  
  Common Eigenfunction of the overtone mechanics of idea and sound at the transition
  from the field of knowledge of the musical motif-space to the field of knowledge
  of our understanding 
  
  Common Eigenfunction of the decays of idea and sound at the transition from the
  field of knowledge of the musical motif-space to the field of knowledge of our
  understanding 
  
  Common Eigenfunction of the attacks of idea and sound at the transition from
  the field of knowledge of the musical motif-space to the field of knowledge of
  our understanding 
  
  Common Eigenfunction of the aperiodic idea chain and the aperiodic vibration
  of the sound at the transition from the field of knowledge of the musical motif-space
  to the field of knowledge of our understanding 
  
  Common Eigenfunction of the idea sequence and of the vibration sequence of the
  sound at the transition from the field of knowledge of the musical motif-space
  to the field of knowledge of our understanding 
  
  Common Eigenfunction of the periodic idea chain and of the periodic vibration
  of the sound at the transition from the field of knowledge of the musical motif-space
  to the field of knowledge of our understanding 
  
  Common Eigenfunction of the idea derivation and the overtone spectrum of the
  sound at the transition from the field of knowledge of the musical motif-space
  to the field of knowledge of our understanding 
  
  Common Eigenfunction of the basic idea and basic sound at the transition from
  the field of knowledge of the musical motif-space to the field of knowledge of
  our understanding 
  
   
 
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