UNIVERSITY OF THE FUTURE
SCIENTIFICALLY INTRODUCING UNIVERSALITY TO THE UNIVERSITY

 

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PART   X
  92  
 
THE ULTIMATE GOAL OF GAINING KNOWLEDGE IN MUSIC
     
         
 
Equanimity


   
 
From our pre­sent, com­pletely ful­filled stand­point in the ab­so­lu­te mu­si­cal force-field of the har­mony, we are com­pletely in­dif­fer­ent in a natu­ral man­ner to the rela­tive, lim­ited proc­ess of gain­ing knowl­edge in mu­sic.
We have left this lim­ited field of mu­si­cal knowl­edge be­hind, and we are in the field of to­tal mu­si­cal ful­fil­ment.

 
The Listener at the Summit of the Musical Path of Cognition
 
 
What else would we want to do with the rela­tive mu­si­cal world? Why should we still want to aim at a rela­tive mu­si­cal crea­tive proc­ess? More we can­not achieve than what we have al­ready achieved here in the har­mony, at the summit of all mu­si­cal life.

   
     
     
       
     
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
     
     
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Theoretical Fundamentals

UNIVERSAL
MUSIC THEORY 2

X.
THE ULTIMATE GOAL OF GAINING KNOWLEDGE
IN MUSIC

Ultimate Knowledge
in Music

The Creative Power
of the Absolute
Sound-Substance

The Art of Discrimination
in Music

The Art of Not Being
Bound in Music

The Six Treasures
of Musical Cognition

Control over the Mind

Control over the Sense
of Hearing

Abstaining from Limitation

Patience

Belief

Equanimity

Desire for Liberation

 

 

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UNIVERSAL MUSIC THEORY 2
The Practical Fundamentals of Universal Cognition