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SCIENTIFICALLY INTRODUCING UNIVERSALITY TO THE UNIVERSITY
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PART   X
  88  
 
THE ULTIMATE GOAL OF GAINING KNOWLEDGE IN MUSIC
     
         
 
Control over the Sense of Hearing


   
 
In the case of out­wardly lis­ten­ing to mu­sic, shape-giv­ing fac­ul­ties of our neu­ro­physi­ol­ogy pro­ject the outer re­al­ity of the re­sound­ing mu­si­cal per­form­ance onto the sur­face of our mind; through that, the sur­face of our mind as­sumes the struc­ture of the sound­ing com­po­si­tion, thus pro­duc­ing the in­ner re­flec­tion of the outer mu­si­cal re­al­ity.
This is the em­piri­cal method of know­ing re­al­ity in mu­sic as we mu­sic lis­ten­ers prac­tise it.

 
The Empirical Method of Knowing Reality in Music
 
 
When we per­ceive the per­fect fun­da­men­tal vi­bra­tion of the ab­so­lu­te sound-sub­stance si­mul­ta­ne­ously, this cos­mic vi­bra­tion also en­ters our sense of hear­ing and raises it to a state of cos­mic per­cep­tion.
Now we are able to feel our mind, which func­tions with in­fi­nite flexi­bil­ity, and to draw from it the per­fect mu­si­cal ex­peri­ence in the ab­so­lu­te mu­si­cal force-field of the har­mony.

 
Perceiving the Absolute Tone-substance in the Sense of Hearing
 
 
By in­ces­santly in­fus­ing our sense of hear­ing with the per­fect fun­da­men­tal vi­bra­tion of the ab­so­lu­te sound-sub­stance and by per­ceiv­ing it there all the time, we gain cos­mic con­trol over our sense of hear­ing.

 
The Sense of Hearing in a State of Cosmic Perception
 
     
     
       
     
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
     
     
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UNIVERSAL
MUSIC THEORY 2

X.
THE ULTIMATE GOAL OF GAINING KNOWLEDGE
IN MUSIC

Ultimate Knowledge
in Music

The Creative Power
of the Absolute
Sound-Substance

The Art of Discrimination
in Music

The Art of Not Being
Bound in Music

The Six Treasures
of Musical Cognition

Control over the Mind

Control over the Sense
of Hearing

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UNIVERSAL MUSIC THEORY 2
The Practical Fundamentals of Universal Cognition