UNIVERSAL MUSIC THEORY 1
The Practical Fundamentals of Universal Creativity
UNIVERSITY OF THE FUTURE
SCIENTIFICALLY INTRODUCING UNIVERSALITY TO THE UNIVERSITY
  PART   VII   44  
  THE PROCESS OF CREATING MUSIC      
         
 
The Concept of Space in Music


   
 
Hardly a word is used with so many mean­ings on so many dif­fer­ent lev­els as the word “space.” Peo­ple’s fan­tasy has given this word mani­fold mean­ing from a sim­ple “room” to the uni­verse, and the mu­si­cal sound-space, too, is just one of the many “spaces” in man’s imagi­na­tion.

 
The Sound-Space
 
 
The aware­ness of space arises from the rela­tive aware­ness of dif­fer­ences – from duality to di­ver­sity, or sepa­rateness – the dis­tance be­tween two or more things. On the level of sen­sory ex­peri­ence the feel­ing of space re­quires an af­firmation of sepa­rateness through sen­sory per­cep­tion. In this proc­ess a dy­namic change of the spa­tial world must take place in time; in­deed, our rela­tive aware­ness of space ac­tu­ally origi­nates and grows only with a change of the men­tal space of our imagi­na­tion.

 
Variation of the Mental Space of Imagination
 
 
Un­der the outer hull of the sound-space the mu­si­cal pa­rame­ters move as if in dif­fer­ent layers.

 
The Inner World of the Musical Sound-Space
 
 
The ma­te­rial of the mu­si­cal sound-space can be com­pared to our ma­te­rial body, while the motif-space can be com­pared to our subtle body. The motif-space enli­vens the mu­si­cal sound-space from within, it struc­tures it and holds it to­gether.

 
The Inner Field of Life of the Musical Sound-Space
 
 
In this terms, the se­quence may be un­der­stood as our mind which, from within, from a state of even greater sub­tlety, enli­vens, struc­tures, and in­te­grates our subtle body, which cor­re­sponds to the motif-spaces.

 
The Mind of the Musical Sound-Space
 
 
The in­fi­nite har­mony-space may be com­pared to that basis of our mind which, from within, from the state of great­est sub­tlety, enli­vens, struc­tures and in­te­grates the mind, which in turn cor­re­sponds to the se­quence-spaces.

 
The Secret Soul of the Musical Sound-Space
 
     
     
       
     
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
     
     
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Theoretical Fundamentals

UNIVERSAL
MUSIC THEORY 1

VII.
SPACE AND TIME
IN MUSIC

The Concept of Space
in Music

The Two Ways of Experiencing Space

Space-Experience in
the Microcosm of Music

Space-Time Integration
in Music

Space-Time Fusion
through the Integration
of the Musical Spaces

The Integrated Play of
Time and Space

The Potential of the
Musician

The Relationship of
Rhythm and Tonality

Field of Cognition -
Enlivened Silence

The Core of Practising
the Art of Music

Conventional and
Modern Mechanisms
of Musical Performance

 

 

Astronomy of Mind EQ x IQ

Hall of Harmony

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